Akhbar, Adab, Featured Omar Alhashani Akhbar, Adab, Featured Omar Alhashani

The Commander of Who?

by Marcus Hibbeln

While ‘inclusive’ to a certain extent, the state-sponsored brand of Islam in Morocco has often been an exclusionary national force that has monopolized the interpretation of Islam and alienated large groups of citizens.

Read More
Adab, Akhbar, Fan, Featured Omar Alhashani Adab, Akhbar, Fan, Featured Omar Alhashani

Radical Imprint

by Samuel Tafreshi

Radical in its content, striking in its aesthetics, and representative of the vast and shifting landscape of revolutionary thought, this was the print culture of Iran at the moment of liberation.

Read More
Fan, Adab Omar Alhashani Fan, Adab Omar Alhashani

Us and Them

by Celia Shaheen,

And all of the sudden, this whole rhetoric of “them versus us” made me question my own identity. Who am I? I’m them and us.  

Read More
Adab, Akhbar, Fan Omar Alhashani Adab, Akhbar, Fan Omar Alhashani

Freedom Fields

by Farrah Fray,

The film—Naziha Arebi’s directorial debut—is the first ever feature length film to come out of Libya by a Libyan, let alone by a woman.

Read More
Adab Omar Alhashani Adab Omar Alhashani

Iftar

by Mahdi Ali,

“Every human is a conglomerate, a cloud of ideas and moods that habitually contradict.”

Read More
Adab Omar Alhashani Adab Omar Alhashani

Namedropping

by Samuel Tafreshi,

What had been its own ‘center’ of intellectual and cultural production became an overlapping periphery beholden to the interests of emerging ‘centers’ in the region.

Read More
Fan, Adab Omar Alhashani Fan, Adab Omar Alhashani

Maps of Velvet

by Suzana Poghosyan,

In this interview, Suzana Poghosyan and Araz Farra discuss their creative process, relationships to home, and diaspora privilege.

Read More